In secret places the art lies.

In the Notman House, an historically significant and pretty amazing space (architecturally as well as culturally) lots of things don’t happen. It is for the most part, unloved, neglected and unused. It is also for sale, and I am terrified of the people I don’t know yet who might buy it, demolish it, or change its inherent character and energy. For despite all of its loneliness and peeling walls, it is perhaps one of my favourite buildings in Montreal, if not of all time.

Which is why it is so amazing to see art in all of its rooms and secret places during the Pop Montreal Festival for the Art POP segment. I will go into each project here in more detail, but these are some of the fabulous artists and their works that graced the spaces the Notman House offers to us all.

There is something that I used to never understand about site specific work (years ago, when I was much, much younger and things were firmly in place on many levels) as I was a pencil-and-paper kind, and could do so anywhere. So for me the idea of people creating work in relation seemed odd somehow. Now, years and years later, with lots firmly not-in-place, I feel that even paper and pencil respond to their environments and that site specific work is inevitable in some ways, so to be conscious of it and consider its meanings is the least one can do.

The Notman House is a gorgeous example of how the smell + feeling + peeling + stains + stories + damp all change and amplify whatever it is that you do there, and most definitely the art that was growing from its walls the past week.

Here’s to the folks who did the work that carefully and thoughtfully contemplated their processes in relation to the house. That some of what they did will stay for the next folks to feel through the paint.

Below find some amazing photos of 2 of the artworks that inhabited Notman for Pop Montreal this year…more to follow…

Dominique Sirois, Ring My Alarm, Art POP/Notman House 2009

Bridget Moser & Jessica Campbell, Art POP Notman House 2009

Filed under artists, festival, installation, local, video | Tags: art pop, Bridget Moser & Jessica Campbell, Dominique Sirois, the notman house | Comment (0)

From across the sea…

Kim Kielhofner, video artist, drawer (ugh, what a horrifying word) and sketchbook virtuoso is an American living in Canada going to school at Central St Martins in London. She’s been there just a few weeks and is already grappling with what it’s like to have several shows happening at the same time in other places: the first, her ongoing show, In the Hall of Wonders, runs until October 16th at Centre Communautaire Elgar on Nun’s Island. It’s a show of drawings well worth the bike ride or ferry ride (apparently!) out there. As well, as part of the Art POP 2009 line-up, Kielhofner will be presenting a video installation at the Notman House registration venue.

I recently had the good fortune of discussing with her questions mainly concerning In the Hall of Wonders (although the drawings here are not the ones in that fantastic show) as well as other bits and ticks behind her practice.

1. What’s up with the title, In the Hall of Wonders? How do you create the links between your visual world and your written language of expression for it?

The titles are not so important to me in this case because for me the imagery in these pieces is very strong. Sometimes I use text in my work, but it’s much more integrated into the process of the work. Sometimes I will think about a certain phrase from literature or film and work with those ideas. In the case of this show, when I was creating these pieces I wasn’t using any text as a reference. The titles came after, almost as an afterthought.

2. You’re an artist that works primarily in 2 mediums. Could you give a bit of background about each medium and also how your relationships to them are similar, different, etc?

My work manifests itself most often in drawing and video. It all comes from the same process of collecting and working with a visual language. You know how I keep books of things I find, flyers, photos, sketches, even junk from the street. I think I arrange things visually so there is the hint of a narrative, but it’s not completely obvious what it is or I leave enough space for people to bring there own experience to the table. I draw figures but I don’t use any perspective so they all lie flat on a plane, kind of like a dreamscape. One action is not more obviously before another. The dreamscape along with my style of drawing gives a nice reference to a memory from the past.

Similarly with video I have begun to narrate my work but I don’t use a written text so I’m working from memory which creates these nice gaps in the speaking where one gets the sense that there’s something not being said. In my application proposal to Central Saint Martins I discussed these ideas and wanting to work in video installation, in actual space to create an experience.

There’s always an issue of presentation and I think video and drawing are the forms which are easiest to present my work. You know it’s like the question, “Where does the work lie? Is it in the process? Is it in the experience of it?” I’m interested in pushing these kind of questions.

3. Where did this work for In the Hall of Wonders come from?

These drawings are from the same project. It was over the last few years that I did these. They are all on mylar and all contain the same type of imagery which becomes kind of a mythology. These drawings are much more focused than other drawings which were simple, like a single figure. These drawings bring a lot together. When I was making them I was looking at Hieronymus Bosch’s Garden of Earthly Delights and a lot of pictures of old churchs, but also diverse things like Ian Curtis, Dolly Parton, and Kim Novak. And I also made a video using footage of Kim Novak from the TV show “What’s My Line?” I guess that’s a straight forward example of how my video and drawings fit together! But yes, this was a focused project that took a few years. I’ve done drawing series before but this is the most dedicated.

5. What are you hoping to focus on at Central St Martins?

I’m interested in interior space and memory. I’m thinking of a video following simple actions in house like drinking a coffee, or turning on a TV. Kind of creating a map of the house, but there’s obviously something missing, or something is lost… something you can’t quite put your finger on…I want to create something intimate, something vulnerable about the house. I want to bring this to the gallery into it’s own kind of “house”, to create and experience in the gallery where this space become palpable. Where you can feel it.

Let’s build a giant room-sized theremin with 16 antennas!

We would like to invite the tag-team of artist/engineers David Beaulieu and Christian Pelletier to this year’s Pop Montreal International Music Festival (September 30 - October 4) and see them build a Theremin room in our special Art Pop and POP Symposium headquarters.

The duo was last seen breaking musical boundaries with their loud-speaker suits worn by Patrick Watson and his musicians at this year’s Festival de Jazz de Montréal.

The installation of massive proportions we want them to build will invite festival-goers to participate (alone, or in groups!) in the creation of on-site, mind-blowing, improvised music as they interact in a room with 16 antennas suspended above and around them. As they are activated, the antennas trigger psychedelic sounds that are bound to excite and solicit interest from all sorts of human beings

It’s gonna be spontaneous, it’s gonna be an immediate and visceral experience, it’s gonna be communally created art instantly diffused, IT’S GONNA BE SO COOL! We’re asking all lovers of theremins, lovers of art, lovers of interactive experiences, lovers of electricity, lovers of music and lovers of the world everywhere to help us make this project happen. Your money will be used to pay for David & Christian’s hard work and the equipment they will need to make this happen.

Check out our kickstarter page, where you’ll see all the amazing REWARDS we’re offering to people that back this project. Among those, you’ll find:

• a limited edition DVD of animations made by local animators
• a DIY theremin kit
• a hand silk-screened limited edition t-shirt with a theremin on it
• an mp3 of an exclusive track from Gentleman Reg or Dishwasher
• a FULL PAGE photo of you in the Pop Montreal segment program
• a VIP Festival Pass to the Pop Montreal International Music Festival
• a personal festival friend and a cozy bed to sleep in
• a musical about you and 3 of your friends, written and performed by us. we will tape it in Montreal in front of a live audience, and send it to you.
• a custom-made Loudspeaker Suit built by Beaulieu and Pelletier

Get your MPD on tonight

If you want to see everything there is to see tonight, you better work your multiple personality disorder to your advantage:

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• The animations of Stefan Gruber at Monastiraki (5478 St-Laurent) tonight at 8pm. His work has fluid animation and a trippy aesthetic that echoes the nonchalant sophistication of comix artists like Ron Regé Jr.

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• Before that though, you should stop by right next door, over at Le Cagibi (5490 St. Laurent), for the vernissage of an exhibition featuring the costumes, props and photos from the in-progress short film, Smile Stealers. This is happening from 5pm to 7pm.

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• The second edition of the Montreal 60 Second Film Festival is having its (free) Registration Party down the street at La Sala Rossa (4848 boul. St-Laurent) from 8:30pm to 11:30pm. The idea is simple: the first 120 filmmakers to sign up each make a 60 second film that will be screened in september. Entertainment will include performances by Julie Lequin (of her “This American Life” submission), magician Sébastien Talbot, zoetrope workshop, screentests - not to mention doorprizes featuring original art created for M60! More info on this incredible project here.

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• For the 18th year in a row, Groupe Intervention Vidéo presents Vidéos de femmes dans le parc (VFP), showing 17 short video works by awesome ladies, including forever-mammoth-favorite Kim Kielhofner. This is happening at the Théâtre de Verdure in Parc Lafontaine, 9 pm.

creature of the day breaks down creatures in the night

The creature of the day being myself, as it IS 3pm-ish, and so I wouldn’t be considered a creature in the night currently. Rational aside, I still managed to go to the second half of the animation festival Creatures in the Night last night, which was the open call-for-submissions part of the evening.

I have to admit that I was pretty blown away especially because I honestly find animation a medium with SUCH potential that it often has folks doing pretty annoying stuff. Like performance art, minus the potential. No, no, I’m kidding, I actually think they have a lot in common. Ha ha. Yeah…

One of the night’s crowd pleasures as far as I could tell was this animation from Christophe Jordache entitled, Enola Gay: (Sorry about the shoddy and short quality of this little morcel)

I have been forced, at various times or others, to use toilet paper to draw on in lieu of having anything else that will remotely function as paper, and the results have often been interesting, but it’s a hard medium to tackle. That Jordache drew on it for this entire animation (it was 2 minutes long in duration in total) is pretty amazing, and that his movements are as interesting and convincing as they are is quite unbelievable.

There were other works of greatness as well: Rickie Lea Owens had several very short, irreverant and fun pieces. Joshua Bonnetta’s Parting was an absolutely gorgeous 2 minutes of what seemed like rotoscoped dancers with a haunting soundtrack. Pretty hard to describe unless you see it, which I did, but I was mesmerized in a way that made trying to document it all at the same time quite difficult.

Finally, Karl Lemieux ended the night with an 8 minute 16mm film entitled, Moveuvement de Lumiere/Motion of Light. It looked to me like what might happen if Vic Muniz did a stop motion animation with his chocolate sauce instead of painting the Mona Lisa. Lemieux, who co-founded the film collective Double Negative, is clearly in his element with this intensely meditative and process-based work that is rooted in the experimental.

The funny thing is, I usually hate long animations (and 8 minutes is long for this kind of a thing) and I don’t often like experiemental filmmaking. I was absolutely BLOWN away by this piece however. You should truly try to get your hands on a copy of the film. I kindof couldn’t believe it. My jaw was hanging. I was aghast. For a moment, I was nothing more than a little beastie, scouraging for food and water. I was a Creature In the Night.

Thanks to Elizabeth Belliveau and articule for putting on such an amazing event.

Biennale Madness

Ok folks, so the Montreal Biennale is half-over, but there is still plenty, plenty, plenty to check out. So much so that my head is spinning a little over here in my dark, damp corner of the world, and I just might need to put a plastic bag on my head to help breathe. That helps, right….?

The majority of what the Biennale has to offer runs throughout the month, so fear not, people, you haven’t missed much if you haven’t gone to see its diverse programming yet. General notes of interest for those wishing to embark on the Discover-MTL-BNL-09 train;

1. The festival has many locations, but the central one is L’Ecole Bourget, which is down, down, downtown. Its exact address, unlike my hairdressers, is not a mystery, and is 1230 de la Montagne, (coin Ste Catherine) which is close to Guy-Concordia and Peel Metro stations. 

2. The admission fee will set you back $5, or the price of a very good latte, unless you can prove you’re 12 or under, so I suggest dressing way, way down. Think beanie and giant lollipop. 

3. For other Biennale locations and a map of where things are at, check this link out. To download the full program, click here. 

At any and all rates, here, in a randomly assorted listing, are some of the things that I suggest you go and do, wrestle down, cajole, chomp on, etc….

1. The interactive exhibition at the Maison de la Culture Marie-Uguay (6052 Boulevard Monk, Metro Monk)

This exhibition, which runs all month long, is located in and focused on the fabulous South West of Montreal and its boroughs (St.Henri, Ville Emard, Verdun, Point St Charles, Little Burgundy, Etc) The idea behind the show, thought up by by the Educational Services of la Biennale de Montréal 2009 and artists Alexandre Castonguay and Michel Seta is to offer different communities in the neighbourhoods a chance to help create a soci-artistic project together through the use of various mediums and mechanisms. 

It sounds like it will be an interesting thing to check out, particularly in regards to how well it integrates the festival’s Open Culture mandate. There are guided tours every day for those interested in learning more about the project/contributing to its narrative, and the hours are listed here, at the very bottom of the page.

2. Saturday, May 16th (today!) + Sunday, May 17th (tomorrow!) from 12-5pm - last chance to see TAG in action - L’Ecole Bourget 

Who are TAG? and what do they do? These folks are a community of peeps interested in creative gaming in all its diverse forms. TAG (Technoculture, Art and Games) seems to be comprised of academics through Hexagram at Concordia and lots of creative partners. 

If you go to the Ecole Bourget today or tomorrow, you’ll get a chance to see their Biennale incarnation, Porous Lab, do its thing, or to participate in the creation of their games. To be honest, I only kindof get it, but that’s always where things get interesting, so go and find out how to become your own personal avatar in the Unicorn Candy Land Simulation I’ve been dreaming of for so long.

3. Every Saturday of the month at 2-3pm - Daniel Jolliffe’s Performance Mobile En Velo - 

This looks really cool - Daniel Jolliffe, an artist who combines sculpture practices and electronic technologies, is inviting everyone of us to call his hotline, at 1-888-500-1011 and record whatever message comes to mind, has been pre-planned for months, is a big fat lie, is the gorgeous, secret truth. Think Biennale Rant Line or some such. Then he takes his homemade megaphone, pictured above, and tours the city with your words and mumbles. 

Every Saturday for the duration of the fest, Jolliffe will be ready at 2pm at L’Ecole Bourget for you to come with your bike and chocolate croissant snaxs to tour around with his handmade sculpture to proudly (or sheepishly) declare to the world the recordings of each person that left him a message. 

Meanwhile, it’s almost 2pm, and it’s raining raining raining, so if you feel strong enough to go today, wear something plastic and yellow and red, (like his scultpure!) to keep the droplets at bay.

4. Thursday, May 21st from 5-8pm - Conference with Daniel Jolliffe and Alexandre Castonguay, L’Ecole Bourget

For descriptions of each artists work, please see individual write-ups. I couldn’t find any description of what this is going to be on the festival’s website, which could easily be due to over-saturation at this point with so many clicks and links and rain and music and coffee and. All this to say they will likely be talking about the use of electronics and technology in their works, as they both use digital medias in interactive and interesting ways, so if this sounds like your type of thing, then leave all the others behind in their nests and go. 

5. Saturday, May 23rd - Soundscapes/Paysages Sonores - La Sala Rossa, 4848 St Laurent

One of the only Biennale events off the Ecole Bourget map, this evening at the Sala will render live the music composed by David Ryshpan and inspired by the work of Rick Leong, one of Montreal’s youngest painterly stars. You can also go and check out both Leong and Ryshypan’s creations at the Ecole Bourget itself. 

6. Everday Exhibitions going on at L’Ecole Bourget 

There are many artists and exhibitions going on at L’Ecole Bourget for the Biennale, and for $5, you get the flexibility of going during whatever day of the week you like, as it’s open the entire month without fail daily. 

If you missed the documentary on the innovative and inspiring Roadsworth, you can still check his work out in and around L’Ecole Bourget when you go. He’s been commissioned to do work around the metro stations of the school, so walk slowly on de la Montagne so as not to miss his breathtaking creations. 

Once you’re in the bowels of the site,  (yes, yes, I used the word bowels, folks. Get over it) you can see Brazilian artist Cao Guimaraes‘ photo series Gambiarras (2002-2007) showing how São Paulo citizens rework their surroundings to make them more functional.

If you’re feeling the need to get your hands metaphorically dirty a bit more, then dive into Read + Write,  an interactive installation conceived of by artist Alexandre Castonguay in collaboration with Mathieu Bouchard, a digital arts engineer. The work invites participants to engrave texts, sounds and images on the wall and to control their appearance. This artwork is a drawing machine as well as a software interface. 

In a less directly-interactive vein, but no less engaging, is one of the program’s most exciting presentations from the perspective of my little bean-head, which is that of Richard Wentworth’s amazingly poetic and understated photo series, Making Do and Getting By (1973-2008). Wentworth’s humour and unique vision has produced a body of work that engages with the direct environment of everyday living in ways both immediately recognizable and unashamedly playful and touching. 

Also not to be missed is 8 Courts 1 Collectif, an open source cinema initiative curated and coordinated by Michèle Gauthier and Claudine Tissier. They chose 8 up-and-coming Montreal filmmakers: Michèle Gauthier, Benjamin Gueguen, Ahn Minh Truong, Yan Giroux, Sophie Goyette, Alexandre Gibault, Abeille Tard and Guy Édouin to direct a series of 8 short films based on content provided by the public via a website over the course of one year. Their website explains the process in greater detail. 

Phew. I feel overwhelmed already. In a good way, like when I am laying outside, in farm country, eyes closed and sunny, with a sudden onslaught of 10 kittens coming at me from all directions. Grinning-from-ear-to-ear-overwhelmed.

In fact, I feel so exhausted already that I think I am just going to get drunk alone in this dark, damp corner of mine, from now until the closing party on the 31st of May at, where else? L’Ecole Bourget. It’s a 5 a 7, so go early and then stay late, while you drool on all the napkins and leftover cheese plates as yet again, security has to be called, and you must be physically thrown out.

Montreal Biennale Still Kickin’ It with Roadsworth Doc…

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So yes, yes, I’ve been *somewhat* of an absent brat about the Biennale, as I was away in Toronto and beyond for a bit, but now I have returned, safe and sound, just in time to announce some of the goodies still on display and displock for us all to enjoy at this Biennale. 

Not to miss is this Friday’s screening of Crossing the Line, from 3 to 5pm at L’Ecole Bourget. Directed by Allan Kohl,  it’s going to be an intimate journey through the wonderful, wild and controversial land of artist and visionary Roadsworth. I, for one, can’t wait to see it. 

More to come, kiddies more to come.

Kent Monkman is in town!

Tomorrow, Tuesday the 5th at 4pm, fabulous Cree artist Kent Monkman will be giving a free lecture at the Museum of Fine Arts, in the Maxwell-Cummings Auditorium (Michal and Renata Hornstein Pavilion, 1379 Sherbrooke). The artist talk is happening in conjunction with the opening of his Dance to the Berdashe video installation, which will be located in the Jean-Noël Desmarais Pavilion until the first week of October.

Heads Up for May

Here’s a quick post to start hyping up Kent Monkman’s Dance to the Berdashe, a video installation composed of five large projections to be installed at the MBAM from May 6 to October 4. I just want to point out how hot the artist looks, and I’ll let Kit, the biggest and most knowledgeable Monkman fan of us four, write about the meta-fab artist some other time.

Speaking of something happening in may, remember the awesome Greasy Goose Salon? They’re looking for submissions for the next May 21st salon, which will be on the theme Gesture. You have until the fifth of May to send your proposal for a 20-minute lecture to greasygoose (at) thearchive.ca. Check this website out for more information on the monthly community lecture series.

Bad Day #4 Launch and Exhibition Tonight

The Emporium Gallery is back from its winter nap tonight (7-11pm), with the launch of the fourth issue of Bad Day, a Toronto-based magazine, and with an exhibition featuring the artworks of Parra, Lukas Geronimas, Oliver Laric and WZRDS GANG- all of whom are featured in the fourth issue. This mixed-media group exhibition chock full of prints, film and sculpture is not be missed. The Emporium Gallery is located at 3035 St. Antoine Ouest, Studio 74, a 2-3 minute walk from the Lionel-Groulx Metro station. FB for more info.

If you can’t make it to tonight’s launch/vernissage, the exhibition will be open Thursday, April 2nd through Sunday, April 5th from 12PM - 5PM. Private viewings will be available by appointment only from Monday April 6th through Wednesday, April 8th.