Get Your Art Souterrain On

by kit on March 3rd, 2010

For the next few weeks, there’s an amazing conference going on that anyone interested in local art organizations, artists and practices should try to get to when they can. Started yesterday and ends the 13th of March.

It’s Art Souterrain, and it seems like a giant extension of Nuit Blanche insanity.

The website is here: while I don’t have tons of time right now to go over the roster of who’s speaking when and where and how and why, I do have the time to suggest you look over the schedule.

Some of my local favourites who’ll be yakking and performing include En Masse, Celine B. La Terreur, Alana Riley, 2Fik and Eric Bolduc. But go see folks you don’t know and be amazed by their prowess, skill and hotness. And send me pictures.

More about the event when I am not rushing out the door madly in search of cheeseburgers.

Of why conceptual art is actually amazing.

by kit on October 27th, 2009

Ok, so short post here - I recently attended Tehching Hsieh’s pretty unbelievable artist talk at Concordia, and it was fairly life-altering on so many levels. His work is absolutely of-the-stuff you should check out and his perspective on it, even more so.

But what I wanted to point out here, now, was that during the final public one-year performance that found Tehching and Linda Montano tied together for the entirety of 1983, they documented all of their conversations by taping them. They then presented these tapes to the public, but not as audio recordings, as objects.

Some tapes show remnants of long conversations, others short. He mentioned that presenting them this way was a conceptual manner of being able to open up the possibilities of the audiences imagination, to be able to picture the dialogues and what they could have, might have, should have been saying.

It reminds me of when I first moved to Quebec and didn’t understand all the french that much. It was equal parts frustrating and amazing, because although I felt a little isolated, on the Metro I could make up what everyone was discussing. It somehow seemed that death, love, italian politics, ponies and the poetry of the universe seemed to come up a lot in those conversations at the time. Then slowly, over the years as my ears adjusted and I started dating a francophone, the talking around me morphed into concerns over getting winter tires and how many kids to have and doctors and boring stuff related to filing. everything. away.

All this to say that suddenly I think I’ve realized that conceptual art is actually about allowing for a space with which to play, unbridled imagination architecture and room to breath on top. Why did I think it was so clinical for so long? Conceptual art is only as sterile as my mind chooses to be when encountering it.

And I am far from sterile, in fact like most of us, I am a dirty, dirty farm-yard animal. Yeah. So there.

Biennale Madness

by kit on May 16th, 2009

Ok folks, so the Montreal Biennale is half-over, but there is still plenty, plenty, plenty to check out. So much so that my head is spinning a little over here in my dark, damp corner of the world, and I just might need to put a plastic bag on my head to help breathe. That helps, right….?

The majority of what the Biennale has to offer runs throughout the month, so fear not, people, you haven’t missed much if you haven’t gone to see its diverse programming yet. General notes of interest for those wishing to embark on the Discover-MTL-BNL-09 train;

1. The festival has many locations, but the central one is L’Ecole Bourget, which is down, down, downtown. Its exact address, unlike my hairdressers, is not a mystery, and is 1230 de la Montagne, (coin Ste Catherine) which is close to Guy-Concordia and Peel Metro stations. 

2. The admission fee will set you back $5, or the price of a very good latte, unless you can prove you’re 12 or under, so I suggest dressing way, way down. Think beanie and giant lollipop. 

3. For other Biennale locations and a map of where things are at, check this link out. To download the full program, click here

At any and all rates, here, in a randomly assorted listing, are some of the things that I suggest you go and do, wrestle down, cajole, chomp on, etc….

1. The interactive exhibition at the Maison de la Culture Marie-Uguay (6052 Boulevard Monk, Metro Monk)

This exhibition, which runs all month long, is located in and focused on the fabulous South West of Montreal and its boroughs (St.Henri, Ville Emard, Verdun, Point St Charles, Little Burgundy, Etc) The idea behind the show, thought up by by the Educational Services of la Biennale de Montréal 2009 and artists Alexandre Castonguay and Michel Seta is to offer different communities in the neighbourhoods a chance to help create a soci-artistic project together through the use of various mediums and mechanisms. 

It sounds like it will be an interesting thing to check out, particularly in regards to how well it integrates the festival’s Open Culture mandate. There are guided tours every day for those interested in learning more about the project/contributing to its narrative, and the hours are listed here, at the very bottom of the page.

2. Saturday, May 16th (today!) + Sunday, May 17th (tomorrow!) from 12-5pm - last chance to see TAG in action - L’Ecole Bourget 

Who are TAG? and what do they do? These folks are a community of peeps interested in creative gaming in all its diverse forms. TAG (Technoculture, Art and Games) seems to be comprised of academics through Hexagram at Concordia and lots of creative partners. 

If you go to the Ecole Bourget today or tomorrow, you’ll get a chance to see their Biennale incarnation, Porous Lab, do its thing, or to participate in the creation of their games. To be honest, I only kindof get it, but that’s always where things get interesting, so go and find out how to become your own personal avatar in the Unicorn Candy Land Simulation I’ve been dreaming of for so long.

3. Every Saturday of the month at 2-3pm - Daniel Jolliffe’s Performance Mobile En Velo

This looks really cool - Daniel Jolliffe, an artist who combines sculpture practices and electronic technologies, is inviting everyone of us to call his hotline, at 1-888-500-1011 and record whatever message comes to mind, has been pre-planned for months, is a big fat lie, is the gorgeous, secret truth. Think Biennale Rant Line or some such. Then he takes his homemade megaphone, pictured above, and tours the city with your words and mumbles. 

Every Saturday for the duration of the fest, Jolliffe will be ready at 2pm at L’Ecole Bourget for you to come with your bike and chocolate croissant snaxs to tour around with his handmade sculpture to proudly (or sheepishly) declare to the world the recordings of each person that left him a message. 

Meanwhile, it’s almost 2pm, and it’s raining raining raining, so if you feel strong enough to go today, wear something plastic and yellow and red, (like his scultpure!) to keep the droplets at bay.

4. Thursday, May 21st from 5-8pm - Conference with Daniel Jolliffe and Alexandre Castonguay, L’Ecole Bourget

For descriptions of each artists work, please see individual write-ups. I couldn’t find any description of what this is going to be on the festival’s website, which could easily be due to over-saturation at this point with so many clicks and links and rain and music and coffee and. All this to say they will likely be talking about the use of electronics and technology in their works, as they both use digital medias in interactive and interesting ways, so if this sounds like your type of thing, then leave all the others behind in their nests and go. 

5. Saturday, May 23rd - Soundscapes/Paysages Sonores - La Sala Rossa, 4848 St Laurent

One of the only Biennale events off the Ecole Bourget map, this evening at the Sala will render live the music composed by David Ryshpan and inspired by the work of Rick Leong, one of Montreal’s youngest painterly stars. You can also go and check out both Leong and Ryshypan’s creations at the Ecole Bourget itself. 

6. Everday Exhibitions going on at L’Ecole Bourget 

There are many artists and exhibitions going on at L’Ecole Bourget for the Biennale, and for $5, you get the flexibility of going during whatever day of the week you like, as it’s open the entire month without fail daily. 

If you missed the documentary on the innovative and inspiring Roadsworth, you can still check his work out in and around L’Ecole Bourget when you go. He’s been commissioned to do work around the metro stations of the school, so walk slowly on de la Montagne so as not to miss his breathtaking creations. 

Once you’re in the bowels of the site,  (yes, yes, I used the word bowels, folks. Get over it) you can see Brazilian artist Cao Guimaraes‘ photo series Gambiarras (2002-2007) showing how São Paulo citizens rework their surroundings to make them more functional.

If you’re feeling the need to get your hands metaphorically dirty a bit more, then dive into Read + Write,  an interactive installation conceived of by artist Alexandre Castonguay in collaboration with Mathieu Bouchard, a digital arts engineer. The work invites participants to engrave texts, sounds and images on the wall and to control their appearance. This artwork is a drawing machine as well as a software interface. 

In a less directly-interactive vein, but no less engaging, is one of the program’s most exciting presentations from the perspective of my little bean-head, which is that of Richard Wentworth’s amazingly poetic and understated photo series, Making Do and Getting By (1973-2008). Wentworth’s humour and unique vision has produced a body of work that engages with the direct environment of everyday living in ways both immediately recognizable and unashamedly playful and touching. 

Also not to be missed is 8 Courts 1 Collectifan open source cinema initiative curated and coordinated by Michèle Gauthier and Claudine Tissier. They chose 8 up-and-coming Montreal filmmakers: Michèle Gauthier, Benjamin Gueguen, Ahn Minh Truong, Yan Giroux, Sophie Goyette, Alexandre Gibault, Abeille Tard and Guy Édouin to direct a series of 8 short films based on content provided by the public via a website over the course of one year. Their website explains the process in greater detail. 

Phew. I feel overwhelmed already. In a good way, like when I am laying outside, in farm country, eyes closed and sunny, with a sudden onslaught of 10 kittens coming at me from all directions. Grinning-from-ear-to-ear-overwhelmed.

In fact, I feel so exhausted already that I think I am just going to get drunk alone in this dark, damp corner of mine, from now until the closing party on the 31st of May at, where else? L’Ecole Bourget. It’s a 5 a 7, so go early and then stay late, while you drool on all the napkins and leftover cheese plates as yet again, security has to be called, and you must be physically thrown out.

Kent Monkman is in town!

by Julien on May 4th, 2009

Tomorrow, Tuesday the 5th at 4pm, fabulous Cree artist Kent Monkman will be giving a free lecture at the Museum of Fine Arts, in the Maxwell-Cummings Auditorium (Michal and Renata Hornstein Pavilion, 1379 Sherbrooke). The artist talk is happening in conjunction with the opening of his Dance to the Berdashe video installation, which will be located in the Jean-Noël Desmarais Pavilion until the first week of October.

Tonight. Excitement before May in the name of Malcolm Sutherland….

by kit on April 28th, 2009

Anyone who is interested in animation should perk their little ears up over their midday cappucinos and lift their hooded, weary lids to mine, like the man in this image is doing (courtesy of the pen of Malcolm Sutherland). For what I am to tell you will be of utmost importance in your life, and good enough to cancel whatever plans you might have for tonight (hot dates excepted. but only HOT dates!)

Anyone NOT interested in animation, please re-read the first paragraph and ignore the part about having to be interested in animation. This post is of equal importance for everyone. 

Tonight, at 7:30pm at the NFB (on the corner of St Denis and de Maisonneuve) animator, clown, sheep, illustrator, old-soul and dear heart Malcolm Sutherland will be presenting about his creative process and his body of work, including a peek at his latest delight, The Forming Game. 

This is going to be truly awesome folks, seriously. Sutherland is already an established artist in the realm of animation, and he is a PUPPY, people, a puppy. I do believe he will be remembered as this generation’s Normal McLaren, I kid you not. Which in and of itself is reason to go see a selection of his films, (they are all creations of a true genius) but why I am encouraging you to ditch your lukewarm dates and come to this instead is because he is a truly affable, engaging fellow who does a genuinely inspiring presentation. You will not be bored. And that date you were going on? You can’t really guarantee the same of that, can you….?

COMBINE

by amy on April 27th, 2009

COMBINE is the name of this year’s Concordia Undergraduate Show. Some of the artists showing have already received love on this site like Bridget Moser and Katie Jung but I’ll be sure to be there to scout out new interesting people to add to the blogosphere. Here are all the details.
April 27 - May 22, 2009
Opening Thursday April 30th from 6 - 8pm
FOFA Gallery
1515 St Catherine Ouest

Jennifer Abernan
Denise Santillan Moreno
Tara Chartrand
Matthew Gagnon
Gaëlle D. Lalonde
Nimalan Yoganathan
Christina Hirukawa
Patrick Guilbeault
Marilyne Blais
Pier-Yves Larouche
David G. Butler
Étienne Tremblay-Tardif
Zoë Yuristy
Stephanie Lau
Alanna Lynch
Lise Latreille
Kevin Bertram
Brett Bergmann
Laël Williams
Sylvia Chan
Bridget Moser
Adrian DiLena
Yolaine Lefebvre
Katie Jung

Conversation with artists
hosted by jake moore
Thursday April 30th

12:30 - 1:30 PM
Alanna Lynch, Lise Latreille, Brett Bergmann, Jennifer Abernan, Christina Hirukawa, Patrick Guilbeault, Zoë Yuristy

3:00 - 4:00 PM
Gaëlle D. Lalonde, Matthew Gagnon, Kevin Bertram, Yolaine Lefebvre, Pier-Yves Larouche

5:00 - 6:00 PM
Nimalan Yoganathan, Tara Chartrand, David G. Butler
Étienne Tremblay-Tardif, Katie Jung, Bridget Moser, Stephanie Lau

Of the feelings of Sam, or feelings in general….Part II - Feelings

by kit on April 14th, 2009

The Greasy Goose Salon is now an important Montreal institution. Can you be an institution if your claim to fame is a salon-type informal/formal/entre-les-deux gathering of minds around specific topics in various cafes and spaces? I believe you can indeed. Institution is what we define it to be, and currently that includes for me the Greasy Goose Salon AND backribs. Man, how I want to eat a good institutional rack of ribs RIGHT NOW. Anyone know of any good rib joint in town that’s NOT the Bar-B-Barn?

Anyhow, I am a blab-meister. The next Salon is ALSO THIS THURSDAY. Here’s the details:

Topic: FEELING

Thursday, April 16th, 7:30pm.
Cagibi, 5490 St. Laurent, at St. Viateur (Montreal)

Featuring presentations by:
*Sofia Gassieva — How I Learned to Stop Worrying and Love the Civet
*Coral Short – Performing Intimacy
*Raji Sohal — “Feeling: More than a Thought?” Sound and Theory in Janet Cardiff’s Audio Walks
*Julia Thomas — Draw Your Doubt, accompanied by Laura Horn, Madeleine Tait, Lilian Belknap and Fjola Evans

Followed by the Cagibi 2nd anniversary party! DJ Mitz and enormous nacho platters for all!

Dudes, go to this to find out what a Civet is if you don’t know already. Refuse the temptation to google it. Just leave it as a mystery for a few more days. Think of how you’ll FEEL about it when you finally figure it out. It’ll be wonderful. 

This would likely ALSO cost $38 to get to from the airport.

Of all the weekends…

by kit on March 17th, 2009

Argh. I am going out of town this weekend, and while I am not unhappy about it, I am sad I will miss this:

http://interdisciplinarycartographies.wordpress.com/

I know there isn’t a pretty image to alongside this link but click it, dear reader, click it!  It’s a conference that’s happening at Concordia entitled Interdisciplinary Cartographies: Space, Architecture and Politics. The line-up looks interesting and includes workshops/keynotes by Gina Badger and Cynthia Hammond.

It runs from March 19th-21, 2009. The workshops still have a few spaces available so email n_himada@live.concordia.ca to register for those. The one thing I can’t find out anywhere is if it’s free or not. Anyone, anyone know? I’m getting the *vibe* that it’s free, but just in case someone out there can verify that for me…..




Paper and Pine




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